CV
Born: 1971 Edinburgh, Scotland
Education:
1993 - 1995 MFA - Painting and Drawing, The School of the Art Institute of Chicago, Chicago, IL
1989 - 1993 BA (Honors) - Painting and Drawing, Grays School of Art, The Robert Gordon University, Aberdeen, Scotland
Selected Solo Exhibitions:
2024
Sarasota Art Museum, Ringling College of Art and Design, Sarasota FL (upcoming Fall 2024)
Luminous Love Junk, Saint Kate Hotel, Milwaukee, WI
2023
POP UP, Inflatable Sculpture Show, Shelburne Museum, VT
Radiant Beasts, Phillips Exeter Academy, NH
Distant Viridian Crush, Grand Valley State University, Allendale MI
2022
Fluoraformunculi, Visual Arts Gallery, Governors State University, IL
Plump Pucker Squish, Boulder Museum of Contemporary Art, Boulder, CO
Cantankerous Clowns/Psychedelic Selkies, Meliora Festival, Curated by Fraser Taylor, Beacon Arts Center, Greenock, Scotland
Puns, Puckers, Particles, Curated by Fraser Taylor, Beacon Arts Center, Greenock, Scotland
B.A.I.R.N.S (A Gaggle), curated by Anna Cerniglia + Kate Pollasch at The Cube Demi, for Print/Object Editions, Chicago, IL
2021
COSMIC GASP, West Shore Community College, Ludington, MI and Ludington Area Center for the Arts
COSMOCULUS, Peeler Arts Center, DePauw University, Greencastle, IN
Adam’s Madam, Rooftop Installation and Artist in Residence, Kimball Arts Center, Chicago, IL
2020
ASTROZONE: An Interactive Art Experience, Griffin Music Hall, Murphy Arts District, El Dorado, AR, Organized by Crystal Bridges Museum of American Art, Bentonville, AR
2019
Strewn, Hither and Thither, HUB-Robeson Galleries, Penn State University, State College, PA
2018
Close Encounters: Adam’s Madam, Project Atrium, MOCA Jacksonville, FL
Umpy Lundersphere, Immersive Installation, Boston Children’s Museum, Boston, MA
2017
(((CRZ.F.4NRS.AAK))) -Crazy Female Foreigners Alive and Kicking, 808 Gallery, Boston University, MA
YellaBelly, Facebook Office, Artist in Residence Installation, Chicago, IL
Night Visions, Georgia Southern University Center for Art and Theater Gallery, Statesboro, GA
Loathsome Beauty, Loaded Body, UB Anderson Gallery, University of Buffalo Art Galleries, Buffalo, NY
2016
CAWT, TAUT, HOT…NOT, Illinois State University Galleries, Normal, IL, w/Joshua Patterson
Lumpy Morsels, Hot Rocks, Cleve Carney Art Gallery, College of Du Page, Glen Ellyn, IL
2015
Lank Limp Lemons Suck, Young World International, Detroit, MI
2013
distant landscapes: peepdyedcrevicehotpinkridge, Ice Box, Crane Arts, Philadelphia, PA
frizzflopsqueezepop, Chicago Cultural Center, Chicago, IL
2012
limes and bricks suck pink, TERRAIN: an exterior exhibition space, Oak Park IL
FLUORESCENT POP, El Centro College Art Gallery, Dallas TX
Selected Group Exhibitions/Events/Curatorial Projects:
2024
Millennium Park Augmented Reality Project, Chicago, IL
Assaf Evron/Claire Ashley, NON STNDRD, Sauget, IL
Prismatic Terrain, with students from Kentucky College of Art and Design, Louisville, KY
2023
Cosmic Loops: Claire Ashley + Matt Irie, Rockford University Art Gallery
Abstraction + Love, Lubeznik Arts Center, Michigan City, IN
Terrain Biennial, Ludington, Michigan, Chicago, IL, and Magnolia, IL
Claire Ashley/Tariq Tamir, Cultivator Arts, Bray Grove Farm, Morris, IL
Chicago Humanities Festival, Epiphany Arts Center
Memory Bank with Jozef Bajus, The RAFT, Buffalo, NY
Pop Up! Inflatable Sculpture Show, Shelburne Museum, VT
For Those Without Choice, with Planned Parenthood, Weinberg Newton Gallery, Chicago, IL
Pop Air, Balloon Museum, Milan, Italy
2022
The Shape of Things to Come, Fundraiser Print Project, Riverside Arts Center, IL
Art In Place, Oak Park, IL
Abstract Acres, Fluffybutt Farm, Fennville, MI
Noughts and Crosses, Lobby Installation, HAVAS Chicago, 36 E. Grand Ave, Chicago, IL
Tomorrow, and tomorrow, and tomorrow, …. curated by Industry of the Ordinary, Chicago Design Museum, IL
Pop Air, The Balloon Museum Paris, Grande Halle de la Villette, Paris, France
Soft Allergy: Claire Ashley, Judith Brotman, Cameron Clayborn. Curated by Meg Duguid, Glass Curtain Gallery, Columbia College Chicago
Tender Irritant: Claire Ashley, Judith Brotman, Cameron Clayborn. SAIC Galleries
2021
Soft Allergy: Claire Ashley, Judith Brotman, Cameron Clayborn. Curated by Meg Duguid, Glass Curtain Gallery, Columbia College Chicago
Tender Irritant: Claire Ashley, Judith Brotman, Cameron Clayborn. SAIC Galleries, School of the Art Institute of Chicago
Hereafter, Roots and Culture, Chicago, IL
Portables, Henry Moore Institute, Leeds, UK
2020
Humor Us!, Riverside Arts Center, North Riverside, IL
Artists Run Chicago 2.0, with SLOW Gallery and Ohklahomo!, Hyde Park Art Center, Chicago
Art in Place, Oak Park, IL
Hot Rocks Performance, Astrozone, Griffin Music Hall, Murphy Arts District, El Dorado, AR
Ruddy Udder Dance (Refrain), Astrozone, Griffin Music Hall, Murphy Arts District, El Dorado, AR
2019
Color Field, ArtisNaples, Naples, FL
PLAY/GROUND, Medina, NY
Color Field, Crystal Bridges Museum of American Art, Bentonville, AR
How We See: Materiality and Color, Laumeier Sculpture Park, St. Louis, MO
Hot Rocks Performance, How We See, Laumeier Sculpture Park, St. Louis, MO
Ruddy Udder Dance (Refrain), How We See, Laumeier Sculpture Park, St. Louis, MO
2018
When the Normal Thing is the Miracle: Judith Brotman and Claire Ashley, Slow Gallery, Chicago, IL
underSTOOD, ROCKELMANN & PARTNER, Berlin, Germany
Miller ICA Open House and Keyword International Tour, Carnegie Mellon University, Pittsburgh, PA
The Annual: Mixtapes for the New Millennium, curated by Jordan Martins, Chicago Artists Coalition, Chicago, IL
Lake Effect: Claire Ashley, Susannah Coffey, Jaclyn Mednicov, Maryam Taghavi, Morlan Gallery, Transylvania University, Lexington, KY
2017
Terrain Biennial, participating artist and host site/curator, Oak Park, IL
Collaboration, Kjell Theory, ATOM-R performance group, Museum of Surgical Science, Chicago, IL
2016
Painting in Time: Part Two (Faculty Organizer, Curated by Sarah Kate Wilson), Sullivan Galleries, SAIC
“CAWT, TAUT, HOT…NOT”, Illinois State University Gallery, Normal, IL
CAFKA Biennial of Art in Public Places 2016, Kitchener, Ontario, Canada
Collaboration with Ish Muhammed for Indiana Bicentennial Celebration, Indiana State Museum
Lumpy Morsels, Hot Rocks Performance with audio-scape by Joshua Patterson, Performers: Justin Deschamps, Jason Schroeder, and Ashley Strickland, Cleve Carney Art Gallery, McAninch Arts Center, College of Du Page, Glen Ellyn, IL
2015
Bad at Sports, Ten Year Birthday Booth at EXPO CHICAGO 2015, Chicago, IL
Gently Fried: an Exhibition in Three Parts, Sam Coronado Gallery, Emma S. Barrientos Mexican American Cultural Arts Center and Fusebox Festival, Austin, TX
Painting in Time, Tetley Gallery, Leeds, UK
BLOW UP: Inflatable Contemporary Art, Bedford Gallery, Walnut Creek, CA
Selected Publications/Bibliography:
2024
Soft Allergy Exhibition Catalog published
2023
“Distant Viridian Crush” exhibition essay by Sean J. Patrick Carney, Grand Valley State University, MI
2022
Vassar Review, Sense and Splendor https://vassar-review.vassarspaces.net/
BAD AT SPORTS Interview, Soft Allergy, Glass Curtain Gallery, Columbia College Chicago, and Tender Irritant, SAIC Galleries, School of the Art Institute of Chicago, IL. With Claire Ashley, Judith Brotman, Cameron Clayborn, Meg Duguid, Duncan MacKenzie, and Brian Andrews.
2021
Review of Portable Sculpture Show, Henry Moore Institute, Leeds, UK
Studio International Interview
Yorkshire Post Magazine Review
Portable Sculpture at the Henry Moore Institute
https://henry-moore.org/portable-sculpture-films
2020
“Art in Place” CNL Projects and Terrain Exhibitions on NBC Chicago
https://www.nbcchicago.com/news/local/art-in-place
Extreme Protections Suits featured on WTTW’s Chicago Tonight
https://news.wttw.com/2020/05/19/inflatable-art-blowing-during-shutdown
2019
Terrain Biennial, “Mr. K” featured on WTTW’s Chicago Tonight
https://news.wttw.com/2019/10/16/front-lawn-art-installations-pay-tribute-late-chicago-artist
2018
Video Documentary, Project Atrium: Claire Ashley, Close Encounters: Adam’s Madam, MOCA
Jacksonville, FL - https://vimeo.com/290300017
Florida Times Union Listing of “Close Encounters: Adam’s Madam”
2017
Boston Globe Review of (((CRZ.F.4NRS.AKK))) at 808 Gallery, Boston University, MA
http://www.bostonglobe.com/arts/art/2017/09/27/claire-ashley-inflatables-take-over-gallery/
Facebook Artists in Residence Program
https://www.facebook.com/artistinresidence/posts/1113073398830152
“Claire Ashley”, video documentary by curator Jason Judd, University Galleries at Illinois State
University, Normal, IL - https://galleries.illinoisstate.edu/exhibitions/2016/claire-ashley/
2015
The Creators Project, Vice Magazine Review of “lank limp lemons suck”, Young World
http://thecreatorsproject.vice.com/blog/giant-painted-parachutes-touch-down-in-detroit
Yorkshire Art Journal Review, “Breaking Painterly Boundaries - Painting in Time at the Tetley”
The State of the Arts Review, “Painting in Time”
http://www.thestateofthearts.co.uk/2015/05/04/review-painting-in-time-at-the-tetley/
Looking at Painting Journal Review of “Painting in Time” http://lookingatpainting.co.uk/interview/paintingintime/
2013
Title Magazine review by Marcelino Stuhmer:
http://www.title-magazine.com/2013/05/claire-ashley-distant-landscapes-peepdyedcrevicehotpinkridge/
Chicago Tribune review, Lori Waxman “Claire Ashley’s Paintings Misbehave”